Finding an unused quilt is always a treasure. This quilt was created from unused fabrics from the 1870's, with a few from an earlier date. We have stunning Indigo fabrics, fabulous florals, plaids and a huge array of other wonderful prints and dyes. A wonderful full batting has added to the creation of a visually soothing quilt to cuddle under.

Pieced by machine which enables the creator to tie the quilt vs. the quilt being quilted. Comprised of 100...8-1/4" squares. Every other square is a Four patch comprised of 4...4-1/8" squares. The edge is closed by machine using the pillowcase. From a distance the quilt is an optical illusion, with one seeing the 4 patch pattern or the pattern where the white calico blocks on the diagonal are prominent. This visual effect is much more prominent on the wall than laying flat on a bed.

Browns were a prominent color during the 1870's. As a fabric junkie this is a treasure trove of prints to relish. The backing is comprised of two tan fabrics..one solid, the other a muted abstract design.

The size of this quilt is generous and would fit a queen bed with 11 inches over the sides and more over the bottom.

Organically hand washed and ready to send with free shipping for your approval.

What a perfect present for someone you love 😄 A quilt that shows hearts and more hearts and one to be treasured that is given to or received from someone special. Having only red and white fabrics makes this quilt a Valentine special.

The actual name of this pattern is Rob Peter to Pay Paul ...Here we have hearts, not just curved pieces. Completely hand pieced and hand quilted. The quilting design was executed in parallel lines apx. 1" apart. Each 5-1/2" block will have the quilting going in the opposite direction from the block next to it. The 1/4" binding was turned over from the back to the front and hand stitched down.

This little gem is now organically hand washed and ready to be sent, with free shipping, for your approval.

What a treasure...A mint condition Log Cabin quilt with a cozy flannel backing. This quilt is perfect to use on a bed, or a wonderful wall hanging in a size that is easier to fit in many homes.

The blocks measure approximately 8-1/2" X 8-1/2". The Logs are approximately 1/2" in width and vary from 2-1/2" to 8-1/2". The chimney measures approximately 2-1/4" square. There are a large variety of fabrics..We have wools, cottons, cotton flannels and even a variety of upholstery fabrics! All of these different fabrics lead to a visually interesting textile. We even have a black cotton fabric that has been embellished with dots created from silk embroidery thread. The flannel backing adds another dimension...that of a cozy cuddle quilt that one may happily "wrap up in".

There is a variety of colors from creamy white to black. An actual scrapbag quilt that makes a stunning visual presentation.

Out of my private collection comes this quilt. Time to share another quilt from my collection. As a fabric junkie, there are numerous prints on the quilt that I am absolutely captivated by. Completely pieced and quilted by hand. This quilt was created prior to the sewing machine being in the public's use.

There are twenty eight 11" blocks alternating with fabulous 1840s double pink striped calico blocks. Today the style is for us to buy enough fabric to complete every quilt. In the 19th century, fabric was so expensive that each piece was precious. We think of scrap bag quilts as depression era, however this very early quilt contains many scraps assembled in a most pleasing manner. So many of these prints have never been reproduced.

Created in Maine, this early quilt is in perfect condition. The backing is linen, indicative of the era. There is no sashing; there is no binding. The edge of this quilt is pillowcased and closed with a minuscule running stitch.

Piecing a quilt with circular edges is one of the most difficult designs to execute. In this case, we had a woman with the ingenuity to applique the circular edges onto the adjoining piece. The entire quilt was completely executed by hand with minuscule stitches. This quilt consists of 88 .....5-1/2" 'blocks, each block containing a complete repeat of the pattern. We have a 4-1/8" double border, the inner border measures 2-3/8", the outer border measures 1-3/8", ending with a 3/8"separately hand applied binding. We see three different quilting pattern designs used on the quilt. The outer borders are quilted with a horizontal line 1" apart. The main body of the blocks are quilted in a 1" square design while the curved pieces are quilted with an echo pattern. This wonderful quilt appears to have been hardly used, and now organically hand washed and is ready to be sent to you with free shipping for your at home approval.

This 200 year old mint condition four post bed quilt was originally made for an early New England bed with posts, and may heve even adorned a canopy. The family that created this quilt would have been affluent enough to deacorate their bed chamber in such a manner. Due to the quilt's enormity it will fit today's queen size bed. The geese pattern will cover the top of the bed and the bar border overhang will look like a dust ruffle. During this time period of an original early four post bed there could have been a child’s trundle bed underneath.
The three borders are 19-3/4” wide; the rectangles are 9 x 4-1/2” and are comprised of two triangles. The middle triangle is 9 x 6 x 6” and the side triangles are 4 x 4 x 6-1/2”.
The borders are a wonderful over-dyed green and yellow calico linen and a cotton red and white squiggly design. The geese are comprised of two fabrics, an early block print stripe and a black, red and white unusual print. The quilt has cross hatch and outline quilting and the bars have unusual 4“ quilted circles. The back is a homespun linen, then quilted with linen thread, both typical of an affluent family's quilt of this era. All piecing was executed by hand as it was made many years before the private use of the sewing machine.
The quilt is in perfect unused condition and ready to be sent on approval. It has been in my private collection for almost 34 years and it’s now time for a new home.

Red, white, and blue are the colors used in the construction of this pleasingly graphic western motif spread. A few of the machine woven designs seen here are the rising sun, flying birds and numerous cattle brands. Each ranch has their own individulisic design for a branding iron. When cattle roamed the open range the brand was the only way to tell which cattle belonged to whom.

This spread can be used for its original intent as a bed spread or for delightful pillows...or both with a twin bed. Another idea is this artistic spread folded over a bar would make a fun piece of art on your wall either full size or folded in halves, thirds or quarters.

This lower price reflects some shading on the spread.

Organically hand washed and ready to be sent for your at home approval.

This unusual pattern, Rolling Stars, actually shows motion. The name fits it perfectly. When you look at this quilt you actually feel like the stars are rolling.

The basic construction of this quilt is an 8 inch block containing a hexagonal rolling star. The blocks are joined by a 3 inch sashing of the same fabric as completes the corners of the hexagonal design block. Because of the continuous use of the same fabric it looks like the rolling stars are placed on one large piece of fabric. The triangles in the rolling star have 1-3/8 inch sides. The binding is a separately applied quarter inch binding of red fabric with a black polkadot. This binding fabric totally coordinates with the main fabric of the quilt. The backing fabric is a much earlier fabric that is a black calico on a minuscule black and white striped backing.

This quilt was registered with the Maine Quilt Heritage in February 1996. Heritage number available upon sale of quilt. All work has been executed by hand. Each piece of this quilt is outline quilted. A queen size bed measures 60 inches from side to side. If used on that bed there would be an approximately 11-1/2 inch overhang. A king size bed is 80 inches across so this quilt would completely cover your bed or make a wonderful throw for the bottom of your bed. In addition this quilt would make a fabulous piece of art for your great room, hallway or any wall in your home.

This quilt will not handle abuse and therefore I recommend it only as a wall hanging or display and therefore is now 1/2 price ...

Organically hand washed and ready to be sent for your approval.

As a fabric junkie I never tire of the visual enjoyment of antique fabrics. That was the time when one made everything to the best of one's ability as all projects were to last forever. Most, but not all, design patterns of early fabrics are not only beautiful but complicated in design. Back then we may have used what fabrics we had..nothing was wasted and fine fabrics were very expensive..a true treasure. This c.1845 quilt has fabrics that are older in date. Some squares are perfectly matched..some are not...but all work is perfectly executed!
The joining block must have been purchased fabric due to the yardage. This purchased fabric is a very fine pink and white stripe with an overlay floral and vine motif in at least two shades of pink. Some of my favorite blocks are the Indigo calico blocks. The backing is linen, common to a New England quilt that was created before the 1850's..This quilt from Maine probably was made along the coast where most of the wealthy families lived...Many were families of sea Captains.
I believe the thread used here is also linen. The main blocks have an interesting herringbone pattern quilted apx. 5/8 inch apart. The squares in the pieced blocks are cross hatch quilted on the diagonal while the pieced squares are outline quilted. Amazing for 180 years old..if this quilt was ever used..it was sparingly!! The condition is perfect and now organically hand washed. Shading in this photo is from the lighting not the quilt.
I am happy to send this quilt, at no charge, for your in home viewing or please make an appointment to visit my shop.

This exquisite quilt is the only example that I have ever had with this miniature diamond path. The Mosaic is the original design that later transformed into the 20th century Grandmother's Flower Garden. As with most early designs this pattern came to us from England.
The hexagon has a 3/4" side while the diamonds and the joining triangles all have 3/4" sides. The inside if the border follows the scalloped outline of the quilt design. At the widest part the border measures 8-3/4"...at the narrowest part measuring 7-1/4". The innermost border of the double border is an early double pink. The outer part of the wide border measures 5-1/4" and is an amazingly beautiful early triple pink floral print...possibly French in origin. The 1/4" applied binding is a white linen. The backing is also a white linen.
Quilting is very elaborate, yet different from the quilt pattern, as seen on the closeup of the backing.
This sophisticated piece of quilt art comes from Linneaus, Maine...family name upon purchase.
Organically hand washed and ready to be sent for your at home viewing.

There are two of these, almost but not quite identical. They share many of the same fabrics...What a happy room these would create!

The Grandmother's Flower Garden pattern can only be pieced by hand. The second most popular quilt pattern during the Depression, it is still much loved and treasured. The amount of work that goes into the composition of this pattern is staggering....the earliest patterns were Mosaics, usually made from silk, many foundation pieced, without the specific color order we see on 20th century quilts and came to us from England. The name and design of this pattern was created in the 1920's.

This quilt was created in the 1950's and used many of today's, in fashion, colors...GREY!!..and more.

Made for a twin bed, this quilt can also be used, because of its size, as a throw for any size bed....or anywhere else you may want a cuddly coverup.

Each side of these (hundreds) of hexagons measure 3/4"..the outside ring of each garden is a solid color, the inside row is a coordinating calico, the center of each is a yellow/gold solid. The order of the print and solid rows is juxtaposed to the normal design and therefore rare and unusual. There is a separate applied 3/8" binding. The outside edge of each row is quilted, the center circle is outline quilted and the Gardens are joined by a white path.

In unused condition, organically hand washed by Betsey, this very happy feeling quilt is ready to be sent for your approval.

During the 1890's there was a craze for the style called "Red Work "...The Victorian era was rich with beautiful embroidery embellishment on silk and woolen quilts. A simpler style was created where the sewers could iron on stencil patterns then execute the stitching...usually a simple embroidery stitch. These quilts were created mainly using cotton fabric and therefore children could join in the style of the era. At that time the quilts were mostly red and white with the embroidery executed in red thread.

This C.1925 ..what I am calling "Blue Work" quilt, is the only one I have ever owned. I am surmising that the sewer was probably older...Maybe a Grandma making this for her grandchild :-)....She was using a style that was meaningful to her and deemed by her family too precious to use.

Created from 42 blocks, each measuring apx. 7-1/2" square, this quilt is a simple blue and white, the most popular color in our country. We have embroidered pictures of children, animals, flowers, days of the week, fairy tales and much more.

The sashing on this quilt, evoking happy feelings, measures 3-1/2" ..there is a double outside border with the blue measuring 3-1/8" and the white measuring 3-1/2". The perfectly executed quilting designs are : 1-1/4" crosshatching in the squares, "X" quilting design in the joining blocks, chain design in the sashing with diagonal quilting 1-1/2" apart on the borders. This quilt is finished with a separate applied white binding.

Appearing to be unused condition and now organically hand washed, this quilt is now ready to be sent for your at home viewing.

This wonderful H-Block Log Cabin quilt has been created from very, very fine wool challis, even having a wool challis backing. This quilt fragment is a large size. Where this quilt has been rebound with origional, same mid 19th century wool schallis fabric, one would assume the quilt to be of origional size. There was one end of the quilt that was not good so we removed that end and then rebound the quilt. Now that this quilt is not an origional size it becomes a fragment. This quilt appears to be in perfect condition.
The quilt was executed using( approximately 7-1/2 inch blocks. Naturally, at this age, everything was hand pieced. The fabrics were very, very expensive fabrics. The blue was a very 1840s blue. It's a deep rich cobalt blue, and the green calico is just absolutely gorgeous.
This quilt has been in my collection and is now ready to go up for sale.
Ready to be sent for your in-home approval.

In complete original condition, this creatively embroidered table embellishment is comprised of 24 7” blocks with wool embroidered motifs on black wool. We have a swan, which to me represents a relationship lasting a lifetime, flowers and leaves representing spring, summer and happiness. There’s a bird with “AM” embroidered on its wing. Created in the 1890s, it appears that the maker was incredibly creative and probably came from a less affluent family. The backing of each block is a much earlier homewoven fabric. There are sleeves or what are called pockets sewn on the back making it ready for hanging. Equally beautiful would be as a center focal point of your dining room table...Ready to be sent for your viewing and approval.

This silk velvet log cabin has a specific way to hang because the top of the quilt is without a border. I’m assuming they wanted that to be at the head of the bed. In mint condition, this exquisite quilt has a 4” golden silk velvet border that has been turned back to make a pillowcase edge.

The piecing was done with 1/2" logs and a 1" center chimney. Completely pieced by hand, these diminutive pieces create an exquisite outcome. Created over 150 years ago, it is ironic that these are all today’s colors. The backing is 19th century dress lining. This extraordinary textile will make a perfect focal point for your living room or great room. Silk fabrics will pulsate when properly lit, almost taking on another dimension. This quilt already has sleeves sewn on the back in case you would like to hang it as art on a wall.

Foundation pieced in a manner used only in New England. Each square was separately foundation pieced, and the edges were turned under and joined on the back. There is no batting in this child's quilt (youth bed), therefore it can also be called a summer quilt. However it is perfect to use this over a warm blanket in winter. The creation of each block results in the quilting that you see on the back. The turkey red floral binding is much older and can date from the 1850s. The array of fabric used to create this sunshine and shadows quilt dates from 1850 to 1880. Graphically wonderful, this is the perfect size quilt ot use for a wall hanging, on your couch, or s throw on a bed. It was meant for a youth, so is a perfect size for a youth bed. Found in Maine. Professionally hand washed by Betsey. One piece of the binding has been restored with the identical fabric. The rest of the quilt is in original condition.

An unusual Log Cabin design. Sounds like an oxymoron to me.... There are many, many different Log Cabin patterns that have been created using every imaginable fabric that can be stitched in strips. Most are variations of commonly known patterns. Here is one that is very unusual....Created all by hand in 7-1/2" blocks..80 of them in total ...and made up from 1" logs using cotton fabrics dating from the 1860's to the 1920's. The 5/8" binding is turned over from the front to the back, a continuation of the 6-5/8" turkey Red border. This binding technique is unusual for New England. The quilt is a summer weight, meaning that there is no batting. The backing is a khaki color dress lining fabric. Could this woman have been a dressmaker and these are left over scraps? If so why the huge range in fabric dates? The center red chimneys are quilted using red thread. Condition of this quilt appears to be unused and would adorn the top of a king size bed or drape over the sides of a queen size bed. Yes, this quilt would also be a wonderful piece of art for your wall and can easily be folded in half or quarters for a smaller space.
Organically hand washed and ready to be sent for your at-home approval.

This one of a kind Red Work Child’s Quilt appears to have taken 6 years to complete as it is dated 1904-1910. This special political, folksy Red Work quilt top has been created from 30 6-1/2” blocks joined together with a 3-1/2” red sashing. There’s an American flag flying over embroidered and dated initials, embroidery representing fireworks, probably representing the 4th of July celebration. This piece is filled with Victorian symbolism and items important to a little girl's life. Antique quilt tops are never washed until they are quilted, so this is in original, as found condition. Discovered in Maine. All ready for you to quilt or collect as is.

In perfect unused condition. The plates measure 11-3/4 inches tip to tip. The plate is made up of 4 inch long segments with a 3-1/2 inch diameter peach circular center. This summer coverlet will completely cover the top of a king size bed with a little over 5 inches on each side. There is no top or bottom to this piece so it will fit a queen or double bed depending which way you turn the quilt. There is a 1/4 inch hand applied scalloped binding. All work is executed by hand with minuscule stitches. Believed to be from west central Maine.

This charming little bo peep kit quilt was made somewhere between 1940 and 1945. All the applieque and quilting are done by hand. The little soldiers are carrying American flags, which would have been very patrioitic for that era, therefore I am placing it around 1944-1945. The binding is all done by hand. The chevron, floral and cross hatch quilting are all done by hand using pink quilting thread. the back kof the quilt is pink, the fabric being a nice cozy flannel. Created in Maine, this adorable quilt appears to have been hardly used. On this littl bo peep quilt we also have an embroidered humpty dumpty, little tin soldiers, and another nursery rhyme applique. This sweet quilt would be an adorable piece of art for a baby's room. Created in Maine, this quilt is in complete original condition. Professionally hand washed by Betsey.

Complete original condition. One can easily tell by the shape of this quilt and some of the pieces that a child definitely had a hand in its creation, probably alongside her mother or grandmother.

When this quilt top was created, the pattern's name was a Mosaic. The Grandmother’s Flower Garden pattern was not designed until the 1920’s. This top was created for an early four post bed. New England was the only area that created quilts with "cut outs" for 4 post beds. The fabrics are unused, the colors are vibrant and in perfect condition, looking as if it were created yesterday. Each hexagon has 1-3/4” sides. The quilt top is comprised of a chrome yellow calico, a turkey red calico, double pink calico and over-dyed green calicos, representing the four colors of each garden. The "gardens" are joined with white paths. The green and pink calicos are very unusual. The fabrics by themselves are worth far more than the price of the top. At the time this quilt top was made, all these fabrics were very expensive, possessed only by affluent families. This quilt top can be finished for a bed, as is, or the tail removed and the fabric used to create pillows. Ready to be sent for your approval.

The red and white calico pieces are apx 3 1/2 x 2 1/4 inches alternating with a black and white diminutive star print. This is one of the very few pieces in my shop that I know is from York, Maine, where my shop is. Pristine condition and ready to quilt. I’m also able to sell the same date fabric if someone chooses to have that. This will fit a queen size bed. Hand stitched.

This nine patch is comprised of 11.5" blocks made up of 4" squares. These blocks are both hand and machine pieced. An unused quilt top is perfect to take apart, harvesting the fabric to make a miniature quilt. 4,761 square inches of fabric gives a quilter a lot to work with All the fabric appears to be unused. There is a small amount of fading on a few of the solid blues where it was folded. Other than that, the colors appear to be perfect.

All hand pieced wonderful array of 1920s fabrics with a pale yellow center of the mosaics and the same center joining the paths. This is very unusual. Perfect condition. Beautiful piece.