Muted colors I find very soothing. We have a Victorian Crazy quilt that was created from all muted colors: burgundies, blues, greens both pine and moss, blacks, rusts, bronze, brick color and bordered with a muted woven wool challie. Some blacks and browns are silk velvet. Created in the earlier 9 block formation with exceptionally exquisite and complicated embroidery around each piece and the entire circumference of the muted burgundy border.

Each block measures 22" X 22", the border is 3-3/4" in width which includes a 1/2" separately applied binding in taupe. The backing is a brown plaid cotton flannel just perfect to cuddle under!

A perfect quilt for your bed, comfortable chair or couch ...it is meant to be used and cherished! A truly fabulous quilt!

Please ask for this quilt to be sent, with free shipping, for your final approval. Please feel free to ask for more information.

Finding an unused quilt is always a treasure. This quilt was created from unused fabrics from the 1870's, with a few from an earlier date. We have stunning Indigo fabrics, fabulous florals, plaids and a huge array of other wonderful prints and dyes. A wonderful full batting has added to the creation of a visually soothing quilt to cuddle under.

Pieced by machine which enables the creator to tie the quilt vs. the quilt being quilted. Comprised of 100...8-1/4" squares. Every other square is a Four patch comprised of 4...4-1/8" squares. The edge is closed by machine using the pillowcase. From a distance the quilt is an optical illusion, with one seeing the 4 patch pattern or the pattern where the white calico blocks on the diagonal are prominent. This visual effect is much more prominent on the wall than laying flat on a bed.

Browns were a prominent color during the 1870's. As a fabric junkie this is a treasure trove of prints to relish. The backing is comprised of two tan fabrics..one solid, the other a muted abstract design.

The size of this quilt is generous and would fit a queen bed with 11 inches over the sides and more over the bottom.

Organically hand washed and ready to send with free shipping for your approval.

In the earlier part of the 19th century a swag border emulated the drapes in one's home. This quilt shows us a Folk Art rendering of a very sophisticated piece. Khaki and red are a wonderful combination. This palate on this quilt is actually by accident as the Khaki was a tobacco dyed green that oxidized as soon as the fabric was placed in water!

The 9 block formation was also an earlier quilt format. Each block measures 22" square, the border measures 8", which includes a 1/2" separately applied binding. We have two quilt techniques used here. We have piecing and applique. This is a dynamically graphic quilt one treasures for the design and colors......not for its average quilting. We have here outline quilting and crosshatch quilting. Each separate piece is outline quilted.

This graphically wonderful folk art quilt is now hand washed organically and ready to be sent, with free shipping, for your approval.

What a perfect present for someone you love 😄 A quilt that shows hearts and more hearts and one to be treasured that is given to or received from someone special. Having only red and white fabrics makes this quilt a Valentine special.

The actual name of this pattern is Rob Peter to Pay Paul ...Here we have hearts, not just curved pieces. Completely hand pieced and hand quilted. The quilting design was executed in parallel lines apx. 1" apart. Each 5-1/2" block will have the quilting going in the opposite direction from the block next to it. The 1/4" binding was turned over from the back to the front and hand stitched down.

This little gem is now organically hand washed and ready to be sent, with free shipping, for your approval.

If you are a fabric junkie, a lover of abstract art and a lover of quilts: this piece of art will captivate you. 😄 Very possibly this is a charm quilt. A charm quilt is one without a repeat of patterns and indeed a rarity. Was the man of the household someone who manufactured fabrics? How did the quilter acquire all the over 1,000 fabrics? These questions may remain a mystery....This quilt is definitely a conversation piece.

Comprised of over 1,000 diamonds measuring 5" tall having sides that measure 2-3/4". The fabrics date mostly from the 1840's and 50's. The backing is a home woven, home dyed linen. This graphic quilt is appreciated for the fabrics, graphics, age and condition. On a quilt such as this the quilting is rarely noticed...this is no exception. The separately applied binding measures 3/8" in width and was applied with a very early treadle machine. All piecing of over 1,000 diamonds was executed by hand.

The size of this quilt will fit perfectly on a queen size bed or adorn the wall of your great room, stairwell or hall or just for your collection.

This graphically wonderful quilt would work well in an antique home as well as in the most modern setting.

I am happy to send this quilt, with free shipping, for your approval.

What a treasure...A mint condition Log Cabin quilt with a cozy flannel backing. This quilt is perfect to use on a bed, or a wonderful wall hanging in a size that is easier to fit in many homes.

The blocks measure approximately 8-1/2" X 8-1/2". The Logs are approximately 1/2" in width and vary from 2-1/2" to 8-1/2". The chimney measures approximately 2-1/4" square. There are a large variety of fabrics..We have wools, cottons, cotton flannels and even a variety of upholstery fabrics! All of these different fabrics lead to a visually interesting textile. We even have a black cotton fabric that has been embellished with dots created from silk embroidery thread. The flannel backing adds another dimension...that of a cozy cuddle quilt that one may happily "wrap up in".

There is a variety of colors from creamy white to black. An actual scrapbag quilt that makes a stunning visual presentation.

Original sampler quilts are truly one of a kind as each one, as stated, is original. This quilt comes directly from the family and as a result, I have family names and locations.

This special quilt was begun in the 1880s with the creation of 72 nine-inch designs. The only repeat design that I can see on this entire quilt is that there are two blocks in the Schoolhouse pattern. We have every technique shown from piecework to applique to embellishment to abstract. This wonderful sampler quilt seems to have it all.

The sashing is actually from 1870s. Was this a special piece the quilter had leftover that she wanted to use? The bulk of the fabric is from the 1880s. I am wondering about some of the designs: one is a middle eastern tent with Arabic symbols. Did the family travel to the Middle East? Two Schoolhouse blocks: was someone a teacher? We even have an 1880s wonderful cheater cloth. Cheater cloth is printed to look like a quilt, but is actually a printed piece of fabric.

The piecing work is absolutely perfect. The applique work is perfect. The design is perfect. The creator finished this massive undertaking in the 1890s. I know this because the wholecloth backing is an 1890s fabric. I am asumning that this very artistic woman did not like to quilt. As a result this quilt is tied. To me this quilt emulates happiness. I am therefor deducing that the creator of this magnificent textile was a very happy and creative woman. This special quilt appears to have hardly been used, though it was used at least one time, because there is one place on the outside edge that shows a stain from a 1800s medicine. We can restore this piece if desired.

Measuring a generous 84" X 91", this quilt would fit a queen sized bed or even the top and slightly over the edges of a king sized bed. Better still, what a wonderful piece of stunning original folk art for a wall. Photographs will not do this piece justice. I always send on approval, so please call or email, and I am happy to send it out, with free shipping, for your at home approval.

Log Cabin quilts consist of around 12 different patterns.

This is an H-block Log Cabin, pieced by hand and using 64 9" blocks, each log measuring approximately 7/8". The center chimneys measure 1-5/8" square. This circa 1885 Log Cabin quilt is actually called a summer quilt. The reason is that the quilt has a pieced top and a backing, but the batting is left out. Technically this is not a true quilt, as a quilt has three layers. Some would call this a summer coverlet, but I prefer the term summer quilt. One can actually use this quilt year round. A light covering for the warmer days and over another blanket or down comforter for the colder days.

Burgundy was one of the most popular colors in the 1880s. This quilt has a myriad of fabric designs with burgundy and white prints. One of the really unusual aspects is the fact that the maker of this quilt turned over the outside log onto the back using it as a binding.

This quit had never been used and has now been organically hand washed. This would not only make a wonderful wall hanging, but would in fact be a lovely coverlet.

Please email or call us to send this quilt, with free shipping, to your home for approval.

Out of my private collection comes this quilt. Time to share another quilt from my collection. As a fabric junkie, there are numerous prints on the quilt that I am absolutely captivated by. Completely pieced and quilted by hand. This quilt was created prior to the sewing machine being in the public's use.

There are twenty eight 11" blocks alternating with fabulous 1840s double pink striped calico blocks. Today the style is for us to buy enough fabric to complete every quilt. In the 19th century, fabric was so expensive that each piece was precious. We think of scrap bag quilts as depression era, however this very early quilt contains many scraps assembled in a most pleasing manner. So many of these prints have never been reproduced.

Created in Maine, this early quilt is in perfect condition. The backing is linen, indicative of the era. There is no sashing; there is no binding. The edge of this quilt is pillowcased and closed with a minuscule running stitch.

Piecing a quilt with circular edges is one of the most difficult designs to execute. In this case, we had a woman with the ingenuity to applique the circular edges onto the adjoining piece. The entire quilt was completely executed by hand with minuscule stitches. This quilt consists of 88 .....5-1/2" 'blocks, each block containing a complete repeat of the pattern. We have a 4-1/8" double border, the inner border measures 2-3/8", the outer border measures 1-3/8", ending with a 3/8"separately hand applied binding. We see three different quilting pattern designs used on the quilt. The outer borders are quilted with a horizontal line 1" apart. The main body of the blocks are quilted in a 1" square design while the curved pieces are quilted with an echo pattern. This wonderful quilt appears to have been hardly used, and now organically hand washed and is ready to be sent to you with free shipping for your at home approval.

The Log Cabin patterns came to us with women from England where this pattern originated. One of the first patterns was called Straight Furrows. The Furrows represented rows of plantings in the English countryside. This is one such quilt..technically a summer coverlet. This child's coverlet does not have a batting and the backing is the foundation for the construction of this "quilt".

There is a special way of creating a quilt that is only of New England origin. This quilt is created in that manner...happy to explain to the buyer.

The quilt measures 48" X 58", has 9-1/2 " blocks, 2-1/2" chimneys and logs that measure 3/4" in width. A wide array of prints and colors were used in the quilt's creation. If you are searching for a color this quilt should contain it. The size of this artistic endeavor makes it perfect for art on your wall.

Apparently never used, this quilt is now organically washed and ready to be sent, with free shipping for your approval.

The discovery of a totally unused quilt is really exciting. The creator of this quilt was absolutely a master sewer. When purchasing a kit quilt one receives all the fabric. The design is stenciled on the white fabric and you are left to do all the work: all the piecing, appliqueing, embroidery, and quilting. The applique stitches are almost invisible. The quilting has been executed with tiny, even stitches. In addition to the basic applique work, the flowers, leaves, and petals are beautifully embellished with tiny embroidery stitches. The quilting designs are comprised of wreaths, shell butter diagonal quilting and rope design. The edging is scalloped and has a 1/4 inch applied binding. All work executed on this quilt is absolutely perfect.

The size of this quilt would fit a queen size bed or the complete top of a king size bed. Never before washed, now organically hand washed and ready to be sent to you for your approval.

This unnamed pattern created in a vibrant red and white, is an adaptation of the LeMoyne Star/Ohio Star. The way this design was pieced has resulted in an optical illusion. Looking at this design one way, it's your star, looking at this design another way, it becomes a pinwheel. The reason this quilt is at this lower price, is because there is a stain, a line in the middle of the quilt ...on the fold line, that I have not been able to negate using organic products. Other than that, this quilt appears never to have been used, and when I purchased it, this quilt had never been washed.

The graphics were created from nine blocks on point. Piecing and quilting was executed by hand. The center of the star block measures 4-1/2". There are two borders: the innermost measures 3-5/8", the outermost border measures 4-5/8". Finishing this quilt is a 1/4" hand applied red binding. The white blocks are cross hatched quilted in 1" rows, with nice even stitching. The border is quilted diagonally, also in a 1" grid. I am wondering if the blocks were quilted by a different person than the rest of the quilt, as the stitching seems to vary from the main body of the quilt to the stars.

There are four corner blocks which set off the entire graphics of this quilt, making the design in the main body of this quilt more prominent.

This mint quilt is now called unused as we have organically hand washed it. Now ready to be sent for your at home approval, with free shipping.

Log cabin patterns have always been some of my favorite patterns. Using a combination of the same size strips or "logs" with various prints and fabrics it seems that no two antique Log Cabin quilts are ever exactly the same. Fabrics change and even with the same pattern the quilt looks different. This is the first time I have ever seen an antique Log Cabin with this configuration. I'm not quite sure what to call it, but to me it is a one of a kind. The basic pattern is sunshine and shadows. However, with the red outline of each block, the quilt becomes optical illusion and a pattern unto itself. We have sunshine and shadow and we have a visual of windows with four panes. What do you see?

Measuring 78" by 80", this quilt is comprised of 3/4" logs with 1-3/4" chimneys comprising 10 inch blocks. The separate 3/8" applied binding is in the same red as used to outline the blocks. The backing is white flannel, making this a very cozy quilt. The tied quilt is comprised of dozens and dozens of different c.1928 calicos in every imaginable color. I have studied this quilt for a long long time and still find a fabric I haven't seen before. What a perfect quilt either as art on your wall or as a cuddly quilt at any time of the year.

In unused condition, organically washed, this one of a kind design is now ready to be sent to your home for approval.

This 200 year old mint condition four post bed quilt was originally made for an early New England bed with posts, and may heve even adorned a canopy. The family that created this quilt would have been affluent enough to deacorate their bed chamber in such a manner. Due to the quilt's enormity it will fit today's queen size bed. The geese pattern will cover the top of the bed and the bar border overhang will look like a dust ruffle. During this time period of an original early four post bed there could have been a child’s trundle bed underneath.
The three borders are 19-3/4” wide; the rectangles are 9 x 4-1/2” and are comprised of two triangles. The middle triangle is 9 x 6 x 6” and the side triangles are 4 x 4 x 6-1/2”.
The borders are a wonderful over-dyed green and yellow calico linen and a cotton red and white squiggly design. The geese are comprised of two fabrics, an early block print stripe and a black, red and white unusual print. The quilt has cross hatch and outline quilting and the bars have unusual 4“ quilted circles. The back is a homespun linen, then quilted with linen thread, both typical of an affluent family's quilt of this era. All piecing was executed by hand as it was made many years before the private use of the sewing machine.
The quilt is in perfect unused condition and ready to be sent on approval. It has been in my private collection for almost 34 years and it’s now time for a new home.

Red, white, and blue are the colors used in the construction of this pleasingly graphic western motif spread. A few of the machine woven designs seen here are the rising sun, flying birds and numerous cattle brands. Each ranch has their own individulisic design for a branding iron. When cattle roamed the open range the brand was the only way to tell which cattle belonged to whom.

This spread can be used for its original intent as a bed spread or for delightful pillows...or both with a twin bed. Another idea is this artistic spread folded over a bar would make a fun piece of art on your wall either full size or folded in halves, thirds or quarters.

This lower price reflects some shading on the spread.

Organically hand washed and ready to be sent for your at home approval.

This unusual pattern, Rolling Stars, actually shows motion. The name fits it perfectly. When you look at this quilt you actually feel like the stars are rolling.

The basic construction of this quilt is an 8 inch block containing a hexagonal rolling star. The blocks are joined by a 3 inch sashing of the same fabric as completes the corners of the hexagonal design block. Because of the continuous use of the same fabric it looks like the rolling stars are placed on one large piece of fabric. The triangles in the rolling star have 1-3/8 inch sides. The binding is a separately applied quarter inch binding of red fabric with a black polkadot. This binding fabric totally coordinates with the main fabric of the quilt. The backing fabric is a much earlier fabric that is a black calico on a minuscule black and white striped backing.

This quilt was registered with the Maine Quilt Heritage in February 1996. Heritage number available upon sale of quilt. All work has been executed by hand. Each piece of this quilt is outline quilted. A queen size bed measures 60 inches from side to side. If used on that bed there would be an approximately 11-1/2 inch overhang. A king size bed is 80 inches across so this quilt would completely cover your bed or make a wonderful throw for the bottom of your bed. In addition this quilt would make a fabulous piece of art for your great room, hallway or any wall in your home.

Organically hand washed and ready to be sent for your approval.

Most of the fabrics used to create this very precisely made quilt top date from the 1880's...however there are a few 1890's fabrics which dates the piece. If you are a quilter and a fabric junkie this may be a piece for you to quilt. Each block is 9" square of which there are 49 created from a huge variety of prints. There is not a solid color piece of fabric on the entire quilt top! Entirely pieced by hand with perfect tiny stitches . The main colors are burgundy, gray, indigo and green. The sashing which measures 2" in width is a very unusual black and white fabric. All center squares of the blocks are blue and white prints.
In pristine condition and ready to quilt.

As a fabric junkie I never tire of the visual enjoyment of antique fabrics. That was the time when one made everything to the best of one's ability as all projects were to last forever. Most, but not all, design patterns of early fabrics are not only beautiful but complicated in design. Back then we may have used what fabrics we had..nothing was wasted and fine fabrics were very expensive..a true treasure. This c.1845 quilt has fabrics that are older in date. Some squares are perfectly matched..some are not...but all work is perfectly executed!
The joining block must have been purchased fabric due to the yardage. This purchased fabric is a very fine pink and white stripe with an overlay floral and vine motif in at least two shades of pink. Some of my favorite blocks are the Indigo calico blocks. The backing is linen, common to a New England quilt that was created before the 1850's..This quilt from Maine probably was made along the coast where most of the wealthy families lived...Many were families of sea Captains.
I believe the thread used here is also linen. The main blocks have an interesting herringbone pattern quilted apx. 5/8 inch apart. The squares in the pieced blocks are cross hatch quilted on the diagonal while the pieced squares are outline quilted. Amazing for 180 years old..if this quilt was ever used..it was sparingly!! The condition is perfect and now organically hand washed. Shading in this photo is from the lighting not the quilt.
I am happy to send this quilt, at no charge, for your in home viewing or please make an appointment to visit my shop.

This exquisite quilt is the only example that I have ever had with this miniature diamond path. The Mosaic is the original design that later transformed into the 20th century Grandmother's Flower Garden. As with most early designs this pattern came to us from England.
The hexagon has a 3/4" side while the diamonds and the joining triangles all have 3/4" sides. The inside if the border follows the scalloped outline of the quilt design. At the widest part the border measures 8-3/4"...at the narrowest part measuring 7-1/4". The innermost border of the double border is an early double pink. The outer part of the wide border measures 5-1/4" and is an amazingly beautiful early triple pink floral print...possibly French in origin. The 1/4" applied binding is a white linen. The backing is also a white linen.
Quilting is very elaborate, yet different from the quilt pattern, as seen on the closeup of the backing.
This sophisticated piece of quilt art comes from Linneaus, Maine...family name upon purchase.
Organically hand washed and ready to be sent for your at home viewing.

Mint Condition!
A very hard to find, mint condition, child's quilt. This c.1870 "H" block Log Cabin design is comprised of mint fabrics dating back to c.1840. Upon very close examination one can discern some very early treadle machine stitching along with the tiny hand stitching. The Apx. 10" blocks are comprised of 1" width "logs". The configuration of the colors have created the "H" block pattern...There is a tiny 1/4" applied off white binding finishing this stunning, calming and graphic quilt.
Created in Maine using a method indicative of New England....the way the individual blocks are joined on the back. Because this quilt was foundation pieced the sewer negated the need for quilting and as a result created a summer weight quilt. The colors that seem the most prominent are red, white and blues. There are dozens of different calicoes and prints. This perfectly executed quilt is a perfect wall art size for many homes.....or a great size to use as a summer "throw".
Ready to be sent for your at home approval.

There are two of these, almost but not quite identical. They share many of the same fabrics...What a happy room these would create!

The Grandmother's Flower Garden pattern can only be pieced by hand. The second most popular quilt pattern during the Depression, it is still much loved and treasured. The amount of work that goes into the composition of this pattern is staggering....the earliest patterns were Mosaics, usually made from silk, many foundation pieced, without the specific color order we see on 20th century quilts and came to us from England. The name and design of this pattern was created in the 1920's.

This quilt was created in the 1950's and used many of today's, in fashion, colors...GREY!!..and more.

Made for a twin bed, this quilt can also be used, because of its size, as a throw for any size bed....or anywhere else you may want a cuddly coverup.

Each side of these (hundreds) of hexagons measure 3/4"..the outside ring of each garden is a solid color, the inside row is a coordinating calico, the center of each is a yellow/gold solid. The order of the print and solid rows is juxtaposed to the normal design and therefore rare and unusual. There is a separate applied 3/8" binding. The outside edge of each row is quilted, the center circle is outline quilted and the Gardens are joined by a white path.

In unused condition, organically hand washed by Betsey, this very happy feeling quilt is ready to be sent for your approval.

During the 1890's there was a craze for the style called "Red Work "...The Victorian era was rich with beautiful embroidery embellishment on silk and woolen quilts. A simpler style was created where the sewers could iron on stencil patterns then execute the stitching...usually a simple embroidery stitch. These quilts were created mainly using cotton fabric and therefore children could join in the style of the era. At that time the quilts were mostly red and white with the embroidery executed in red thread.

This C.1925 ..what I am calling "Blue Work" quilt, is the only one I have ever owned. I am surmising that the sewer was probably older...Maybe a Grandma making this for her grandchild :-)....She was using a style that was meaningful to her and deemed by her family too precious to use.

Created from 42 blocks, each measuring apx. 7-1/2" square, this quilt is a simple blue and white, the most popular color in our country. We have embroidered pictures of children, animals, flowers, days of the week, fairy tales and much more.

The sashing on this quilt, evoking happy feelings, measures 3-1/2" ..there is a double outside border with the blue measuring 3-1/8" and the white measuring 3-1/2". The perfectly executed quilting designs are : 1-1/4" crosshatching in the squares, "X" quilting design in the joining blocks, chain design in the sashing with diagonal quilting 1-1/2" apart on the borders. This quilt is finished with a separate applied white binding.

Appearing to be unused condition and now organically hand washed, this quilt is now ready to be sent for your at home viewing.

This wonderful H-Block Log Cabin quilt has been created from very, very fine wool challis, even having a wool challis backing. This quilt fragment is a large size. Where this quilt has been rebound with origional, same mid 19th century wool schallis fabric, one would assume the quilt to be of origional size. There was one end of the quilt that was not good so we removed that end and then rebound the quilt. Now that this quilt is not an origional size it becomes a fragment. This quilt appears to be in perfect condition.
The quilt was executed using( approximately 7-1/2 inch blocks. Naturally, at this age, everything was hand pieced. The fabrics were very, very expensive fabrics. The blue was a very 1840s blue. It's a deep rich cobalt blue, and the green calico is just absolutely gorgeous.
This quilt has been in my collection and is now ready to go up for sale.
Ready to be sent for your in-home approval.

Simplicity can be so graphic as we see here in this wonderful mid 19th century Youth quilt. This early quilt measures approximately 58 X 60 inches and contains over sixty 4-1/2 inch blocks on point and approximately 25 half blocks surrounding the outer edge of this quilt. There is a 2-1/2 inch border with a 3/8 inch separate binding finishing the quilt. There is a vast array of mid to early 19th century cotton prints creating a wonderful piece of art work. The binding frames this quilt perfectly. The backing is a gorgeous c.1845 print. Completely pieced and quilted by hand in the Brewer, Maine area....a New England textile treasure. In my possession are 2 youth quilts believed to be made by the same woman. The other one was started in 1828 and finished many years later. There is a hand written note on the back of the other quilt.. I would like these two to stay together and will offer a discount for keeping both together. Organically hand washed and ready for your at home viewing. Please ask for more information.

Meticulously hand quilted, this pieced quilt is one of my favorites. The small triangles measure apx 1-1/2 x 1-1/2 x 2", the large triangles measure 5 x 5 x 7”. If this quilt did not have a split center...two triangles..one white and one blue..the name of the pattern would be ocean waves, but with the split squares the name changes to Martha Washington. The applied binding appears to be put on by machine and finished by hand. This 19th century blue is a wonderful mid century shade of indigo; sought after by many people. Actually blue is the most popular color in our country. This graphic quilt will fit perfectly on a twin, double or the top of a queen size bed. A beautifully graphic quilt it can also hang as an art piece for your wall. Made in Lebanon, Maine, the family name will be given upon sale.

After looking at and researching dozens of Crazy quilts to the best of my ability, I believe that this Maine quilt has definite Native American influence and symbolism. This original piece of art is comprised of 20 blocks, each measuring apx 16” square. A Victorian crazy quilt that is totally unique. There is Native American symbolism thoughout the quilt. This quilt has embroidered names, auld lang syne, staffs of wheat and ears of corn and planted rows in a field. Wonderful colors with wonderful motion and one of a kind. The front fabrics are wool, wool challis, wool silk and heavy cotton. The backing is all wool. This piece would provide great warmth as a quilt on a bed. As a piece of art,on a wall, this quilt would be artistically wonderful and soothing to the eyes. Ready to be sent for your viewing and approval.

In complete original condition, this creatively embroidered table embellishment is comprised of 24 7” blocks with wool embroidered motifs on black wool. We have a swan, which to me represents a relationship lasting a lifetime, flowers and leaves representing spring, summer and happiness. There’s a bird with “AM” embroidered on its wing. Created in the 1890s, it appears that the maker was incredibly creative and probably came from a less affluent family. The backing of each block is a much earlier homewoven fabric. There are sleeves or what are called pockets sewn on the back making it ready for hanging. Equally beautiful would be as a center focal point of your dining room table...Ready to be sent for your viewing and approval.

This silk velvet log cabin has a specific way to hang because the top of the quilt is without a border. I’m assuming they wanted that to be at the head of the bed. In mint condition, this exquisite quilt has a 4” golden silk velvet border that has been turned back to make a pillowcase edge.

The piecing was done with 1/2" logs and a 1" center chimney. Completely pieced by hand, these diminutive pieces create an exquisite outcome. Created over 150 years ago, it is ironic that these are all today’s colors. The backing is 19th century dress lining. This extraordinary textile will make a perfect focal point for your living room or great room. Silk fabrics will pulsate when properly lit, almost taking on another dimension. This quilt already has sleeves sewn on the back in case you would like to hang it as art on a wall.

I found this rare, and what appears to be unused, child's quilt in Maine where it originated from the Bethel area. The fabrics used in making this child’s quilt are from the very early 1800s with one fabric possibly from the 1700s. It contains 4" and 5” alternating strips, 3-1/2” square diamonds. There is a handwritten note on the back where this quilt has been signed and dated 1828. A wonderful, rare child's quilt appearing to be in unused condition. This quilt has fabrics that I have never seen in my 31 years of business. The back is an amazing and rare whole cloth backing of a very early block print calico. The rarity and yardage of these fabrics point to the fact that the creator's family must have been very well off. This special quilt has been organically hand washed by Betsey and is ready to be sent on approval.

A totally unique folk art rendition of an earlier Broderie Perse style, this quilt has been arranged in block formation with 2 ¼ inch Turkey red sashing and border. Many nineteenth century fabrics have been cut out in various shapes and hand appliquéd with miniscule stitches. The diagonal line hand quilting is spaced approximately 1 inch apart. The border includes a 3/8 inch wide separately applied Turkey red binding and the backing is muslin. Professionally hand washed by Betsey; please ask her for more details.

Foundation pieced in a manner used only in New England. Each square was separately foundation pieced, and the edges were turned under and joined on the back. There is no batting in this child's quilt (youth bed), therefore it can also be called a summer quilt. However it is perfect to use this over a warm blanket in winter. The creation of each block results in the quilting that you see on the back. The turkey red floral binding is much older and can date from the 1850s. The array of fabric used to create this sunshine and shadows quilt dates from 1850 to 1880. Graphically wonderful, this is the perfect size quilt ot use for a wall hanging, on your couch, or s throw on a bed. It was meant for a youth, so is a perfect size for a youth bed. Found in Maine. Professionally hand washed by Betsey. One piece of the binding has been restored with the identical fabric. The rest of the quilt is in original condition.

An unusual Log Cabin design. Sounds like an oxymoron to me.... There are many, many different Log Cabin patterns that have been created using every imaginable fabric that can be stitched in strips. Most are variations of commonly known patterns. Here is one that is very unusual....Created all by hand in 7-1/2" blocks..80 of them in total ...and made up from 1" logs using cotton fabrics dating from the 1860's to the 1920's. The 5/8" binding is turned over from the front to the back, a continuation of the 6-5/8" turkey Red border. This binding technique is unusual for New England. The quilt is a summer weight, meaning that there is no batting. The backing is a khaki color dress lining fabric. Could this woman have been a dressmaker and these are left over scraps? If so why the huge range in fabric dates? The center red chimneys are quilted using red thread. Condition of this quilt appears to be unused and would adorn the top of a king size bed or drape over the sides of a queen size bed. Yes, this quilt would also be a wonderful piece of art for your wall and can easily be folded in half or quarters for a smaller space.
Organically hand washed and ready to be sent for your at-home approval.

This very, very cozy quilt is comprised of 13-1/3” blocks with each of the nine squares having sides measuring apx 4-3/8”. These squares are joined with 4-1/2” sashing of a gray cotton flannel. The intersecting blocks joining the squares measures apx 4-1/2” and are a soft medium blue flannel fabric. The nine patch blocks are comprised of both flannel and wool. There is a 3” blue cotton flannel and a gray cotton flannel around two sides of the quilt. The whole cloth backing is gray flannel which has created a warm, cuddly yet very graphic quilt. There is a separate applied 3/8” flannel binding. The entire piece has been quilted in a diagonal quilting pattern. All work has been executed by hand. It appears this quilt has never been used...now ready to keep you warm and cozy.
Always sent for your approval.

This precious little doll quilt is in complete original condition. Lovingly pieced and quilted by hand and finished with a pillowcase edge executed in teeny tiny stitches. The 1” squares create the trip around the world using a variety of 1920's-30's calicoes. This diminutive quilt appears to never have been used and now organically hand washed and ready for your approval.

This one of a kind Red Work Child’s Quilt appears to have taken 6 years to complete as it is dated 1904-1910. This special political, folksy Red Work quilt top has been created from 30 6-1/2” blocks joined together with a 3-1/2” red sashing. There’s an American flag flying over embroidered and dated initials, embroidery representing fireworks, probably representing the 4th of July celebration. This piece is filled with Victorian symbolism and items important to a little girl's life. Antique quilt tops are never washed until they are quilted, so this is in original, as found condition. Discovered in Maine. All ready for you to quilt or collect as is.

In perfect unused condition. The plates measure 11-3/4 inches tip to tip. The plate is made up of 4 inch long segments with a 3-1/2 inch diameter peach circular center. This summer coverlet will completely cover the top of a king size bed with a little over 5 inches on each side. There is no top or bottom to this piece so it will fit a queen or double bed depending which way you turn the quilt. There is a 1/4 inch hand applied scalloped binding. All work is executed by hand with minuscule stitches. Believed to be from west central Maine.

This is the largest Yo Yo coverlet I have ever seen! The picture you are looking at is actually the coverlet shown on my king size bed.
Hundreds and hundreds of 2" yo yo's are artistically placed to create a visual impact. There is a lavender "path" joining the 8" square blocks that each contain 16 yo yo's. I have been told that some women really enjoyed making these because you could easily take fabrics with you to work on...also because small pieces could be used in their construction.
There is every color you can imagine used here in the dozens and dozens of different calicoes from the 1920's into the early 1930's. The fabrics appear to be all unused...the coverlet appears the same. After months or years taking to make this captivating piece of art...I guess it was too special to use...now it is all ready to be a showcase on either a queen or king size bed.
Ready to be sent for your "on the bed " approval.

This charming little bo peep kit quilt was made somewhere between 1940 and 1945. All the applieque and quilting are done by hand. The little soldiers are carrying American flags, which would have been very patrioitic for that era, therefore I am placing it around 1944-1945. The binding is all done by hand. The chevron, floral and cross hatch quilting are all done by hand using pink quilting thread. the back kof the quilt is pink, the fabric being a nice cozy flannel. Created in Maine, this adorable quilt appears to have been hardly used. On this littl bo peep quilt we also have an embroidered humpty dumpty, little tin soldiers, and another nursery rhyme applique. This sweet quilt would be an adorable piece of art for a baby's room. Created in Maine, this quilt is in complete original condition. Professionally hand washed by Betsey.

Complete original condition. One can easily tell by the shape of this quilt and some of the pieces that a child definitely had a hand in its creation, probably alongside her mother or grandmother.

When this quilt top was created, the pattern's name was a Mosaic. The Grandmother’s Flower Garden pattern was not designed until the 1920’s. This top was created for an early four post bed. New England was the only area that created quilts with "cut outs" for 4 post beds. The fabrics are unused, the colors are vibrant and in perfect condition, looking as if it were created yesterday. Each hexagon has 1-3/4” sides. The quilt top is comprised of a chrome yellow calico, a turkey red calico, double pink calico and over-dyed green calicos, representing the four colors of each garden. The "gardens" are joined with white paths. The green and pink calicos are very unusual. The fabrics by themselves are worth far more than the price of the top. At the time this quilt top was made, all these fabrics were very expensive, possessed only by affluent families. This quilt top can be finished for a bed, as is, or the tail removed and the fabric used to create pillows. Ready to be sent for your approval.

The red and white calico pieces are apx 3 1/2 x 2 1/4 inches alternating with a black and white diminutive star print. This is one of the very few pieces in my shop that I know is from York, Maine, where my shop is. Pristine condition and ready to quilt. I’m also able to sell the same date fabric if someone chooses to have that. This will fit a queen size bed. Hand stitched.

This nine patch is comprised of 11.5" blocks made up of 4" squares. These blocks are both hand and machine pieced. An unused quilt top is perfect to take apart, harvesting the fabric to make a miniature quilt. 4,761 square inches of fabric gives a quilter a lot to work with All the fabric appears to be unused. There is a small amount of fading on a few of the solid blues where it was folded. Other than that, the colors appear to be perfect.

All hand pieced wonderful array of 1920s fabrics with a pale yellow center of the mosaics and the same center joining the paths. This is very unusual. Perfect condition. Beautiful piece.